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*****Resisting the Physical Separation*****
Previous to the Crossing of the Return [url=http://www.ktbruce.co.uk/mulberrysale.php]mulberry sale[/url] Threshold, all Transcendental Powers must remain behind. The Hero must fight his (or her) final battle alone - how else will he or she know that the Antagonisms (which in no small part are psychological) have certainly been overcome. In Bonnie and Clyde (1967), Buck is shot and Blanche captured.
The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.
THERE IS ONLY ONE STORY
*****Transcendental Powers Remain Behind*****
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
THE 188 STAGE HERO'S JOURNEY:
Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in [url=http://www.jeremyparendt.com/Barbour-Paris.php]barbour pas cher soldes[/url] the craft.
FORWARD
*****Period of Desolation*****
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
A common stage of the [url=http://www.rtnagel.com/airjordan.php]nike air jordan pas cher[/url] Hero's Journey, before the Hero has made a Conscious Decision. In Brokeback Mountain (2005), Jake looks at the moon (same as Luke in Star Wars, 1977) and Ennis sits in the tent while [url=http://www.tagverts.com/barbour.php]barbour deutschland[/url] it is raining, bored and nothing to [url=http://www.ktbruce.co.uk/barbourjackets.php]barbour.co.uk[/url] do.
There is always resistance to the [url=http://www.jeremyparendt.com/Barbour-Paris.php]barbour france paris[/url] Physical Separation. In Bonnie and Clyde (1967), Where's the car? The car jams between the other two.
*****New World*****
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain [url=http://www.davidhabchy.com]barbour outlet[/url] (2006) to Annie Hall [url=http://www.agentparadise.com]woolrich sito ufficiale[/url] (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
It is common to make [url=http://www.ktbruce.co.uk/hollisteroutlet.php]hollister[/url] the Ordinary World explicit. But it is equally common for the Hero to simply arrive in a New World (the stage of Exile). In Straw [url=http://www.ktbruce.co.uk/mulberrysale.php]mulberry outlet[/url] Dogs (1971), David and [url=http://www.thehygienerevolution.com/hollister.php]hollister[/url] Amy move to the small English town. In Brokeback Mountain (2005), Ennis and Jack simply arrive in Wyoming.
c) Gives you a tangible process for building and [url=http://www.teatrodeoro.com/hollisterde.php]hollister deutschland[/url] releasing dissonance (establishing and achieving catharses, of which there are usually four).
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